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| This video tour shows RealTraps partner Doug Ferrara's fabulous basement home studio. Doug and Ethan explain how it was treated and why, and present many interesting and related topics. | THE
ULTIMATE HOME STUDIO Click HERE to view the video. Running time 21:05. |
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This video is a greatly expanded version of our text article How to Set Up a Room. It explains the basics of room layout and acoustic treatment, and presents practical solutions to many common problems. The focus is on home theaters, but all of the information applies equally to professional recording studios and mastering rooms. |
HOW TO SET UP AND TREAT A LISTENING ROOM Click HERE to view the video. Running time 13:54. |
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This video explains what MiniTraps do and shows how they are installed. Along the way many related acoustic issues are described, and you'll also see the huge improvement MiniTraps make in a typical listening room. If you use Sonar version 4 or later you can download the project file below used in this video to measure the low frequency response in your own room. If you don't have Sonar go HERE to download a similar set of MP3 files that can be burned to an audio CD. |
MINITRAPS DEMONSTRATION Click HERE to view the video. Running time 18:53. |
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Many people have asked how our products are made, and this video shows all. We start with a tour of the metal fabrication, then proceed to our painter, fiberglass supplier, packaging company, and finally the RealTraps factory. You'll see first hand the incredible attention to detail that goes into manufacturing all RealTraps products, and learn why we make the finest acoustic treatment available at any price. If you enjoy the sound track Men At Work, you can download an MP3 file HERE. |
MADE IN CONNECTICUT REALTRAPS FACTORY TOUR Click HERE to view the video. Running time 14:42. |
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Two short "slide show" videos are linked in the table at right. One features the fabulous Kelly Mittleman, the other is with RealTraps partner Doug Ferrara. These demos let you hear how truly effective the RealTraps Portable Vocal Booth is for reducing room ambience, and capturing a much more intimate sounding vocal track. The MP3 file audio-only versions are for those without a high-speed connection. In Doug's demo he explains which device you're hearing. For Kelly's demo there are four vocal takes at two distances, each with and without the Portable Vocal Booth:
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PORTABLE VOCAL BOOTH DEMONSTRATION Click HERE to view Kelly's demo. Running
time 1:26. Click HERE to view Doug's demo. Running
time 1:33. |
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All About Diffusion is part of our "See and Hear" video lecture series. It explains diffusion in plain terms with no math, then lets you hear an acoustic guitar recorded in close proximity to five different surface types. We're confident you'll agree that a QRD diffusor is less colored and more natural sounding than the other devices tested. The video is 16x9 widescreen, and the audio is at 256 kbps for accurate sound. The narration microphone is an audiotechnica 4033, and the surface testing microphone is a DPA 4090. No EQ or effects were used on the acoustic guitar recordings. |
ALL ABOUT DIFFUSION Click HERE to view the video. Running time 12:32. |
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This video is part of our "See and Hear" video lecture series, and more videos are planned for the future. The purpose of this series is to explain acoustic concepts in more depth than is possible with a written article alone. This video explains comb filtering, using both acoustic and electronic examples. You'll learn what causes comb filtering, why and how to avoid it, and hear how it sounds. |
COMB FILTERING Click HERE to view the video. Running time 8:16. |
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This is another in our "See and Hear" video lecture series. This video explains ringing and resonance using an electronic filter to simulate the way rooms behave at low frequencies. You'll see and hear ringing and resonance, and learn how the frequency and Q of a room's modes affect its sound. |
MODAL RINGING AND RESONANCE Click HERE to view the video. Running time 6:55. |
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Is it live or is it Memorex? One goal of music recording is to capture a true sound, so when played back it sounds like the musicians are right there in the room with you. This experiment proves it's not an easy task! We weren't entirely successful, but we did manage to get fairly close with some of the instruments. While not about acoustic treatment, this video will appeal to both recording engineers and audiophiles. |
RECORDED REALISM Click HERE to view the video. Running time 7:55. Click a link below to launch the video, or right-click to save the file to your hard drive. |
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We created this video to show that peaks and nulls occur at all frequencies in all rooms, not only those frequencies related to the room dimensions. This is very significant because it proves that all rooms need broadband bass trapping, not trapping that targets specific frequencies as many people wrongly believe. |
NON-MODAL PEAKS AND NULLS IN SMALL ROOMS Click HERE to view the video. Running time 7:11. Click HERE for the Non-Modal Peaks and Nulls presentation text. |
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If you own Sonar version 4 or later you can use this Project File to measure the low frequency response in your room. It plays one-second sine waves in 1 Hz increments from 40 to 300 Hz on Track 1. While that track plays you'll record an omnidirectional microphone onto another track, then afterward you can read the response at each frequency from the new track's Play meter. You'll probably need to resize the screen, and also change the sound card's input and output to match your own setup. Note that RealTraps now uses and recommends the fabulous ETF Windows program from Acoustisoft. It is priced very reasonably, yet does all of the important measurements required for a complete room analysis. For Mac users we suggest Fuzzmeasure. |
SONAR PROJECT DOWNLOAD Click HERE to download the Zip file used in the MiniTraps demonstration video (22 MB). |
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Entire contents
of this site Copyright © 2004-2008 by RealTraps,
LLC. All rights reserved. |
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